Canadian composer, conductor, and Professor Emeritus at York University; inaugural O'Mahony Music Fellow at Trinity College Dublin's Trinity Long Room Hub and composer-in-residence for the Toronto Mendelssohn Choir.
Would you like to elaborate on that and tell us about how that is the case? Which sculptural artifacts might be at play? Which words and poetry are at play?
And y- you know, if there were little radars that went out from our brains so we could tell who, who we are without knowing, um, just to do a comm- community creating exercise right now.
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