And everybody's happier because they're in it.

and and i think it's also sort of to that and and and i'll say sort of the the the shows that i have the fondest memories of and and prison break you know is certainly included in this batch is the shows that made certainly me as a writer but hopefully everybody feel like they were an active creative participant in the show as opposed to just, okay, you move here, you move here, you say this line, you say you put the light, like, no, like I'm not, like, I think there are some showrunners who have the movie in their head and anything that's different than the movie that's in their head is wrong because Whereas sort of the way I look at show running is like, yeah, I have a version of the movie that's in my head.

I have to, when I'm writing it, I have to be able to visualize it somehow.

But I also know I'm not an actor or a director or a director of photography or, you know, a production designer or like the, if given the freedom, these other creative professionals can come up with a much better version of the movie that I have.

If, if, If I give them the freedom to do that.

Bonus

content for here's your season six.

We're always asking.

[laughs]

Um, but I'm, I'm trying to think.

Like, I, I mean, I remember...

So in terms of the cuts, like it would, it would mostly be, for me, watching them in that way with everybody, seasons two and season three.

Like I, I remember, um...

You know, and, and this is completely just the way it was.

Like w- we f- and, and, and maybe some of the other writers who've been on the show have mentioned it to you guys, but we always felt like, okay, if, if it's a scene with, with Paul and/or Sarah, like we're gonna be fine.

We're shooting tomorrow.