Well,

you know, I'm so glad you were so, I so appreciate your enthusiasm about it, Jared.

And audiences and critics have kind of been saying like, wow, this play, we kind of felt the same way.

I mean, you enter into a project like this and you don't, assume that these great classics are still going to resonate in the way that they did.

But we're all a little taken by the surprise of the momentum of it.

It's a story about a kind of perfect all-American post-war family living a kind of Norman Rockwell existence.

And the play starts off in a very gentle way.

What was Arthur Miller doing here in terms of a psychological drama, something that nobody had really discussed? To what extent had people done this before in American theater? Go into the mind and the motivations behind what's happening on the stage.