Just preconception that I'm not necessarily going to identify with this lyrically or that it's kind of milquetoast lyrically just because there's so much work to have thought about or have experienced in his

career.

I think I would agree with a lot of that stuff.

Yeah.

McCartney, through the course of his career, has had a tendency to be a lazy lyricist.

He can be an absolutely brilliant lyricist, too.

I mean, the kind of really general and incorrect Notion? What's the word I'm looking for? Perception? Perception, yeah.

maybe

[laughs]

[laughs] Um, yeah, it's, I'd say it's a, uh, that's an eight for me.

Because for me, I find, like especially in the context of this album, there are a couple songs that I'm looking forward to hearing specifically.

There's usually two or three of them that I'm like, "Okay, I can't wait till I get to this song." Anna's one of them on this album.

Uh, you know, There's A Place is another one.

Uh, Baby It's You.

Those stickers look great.

Thanks.

Interesting.

And just sorta, like, putting that aside, but I do really like this song.

I would kind of, I don't know.

I don't know if it's an A or a B.

Probably a B, but I do think it's a great song, and it's like what Kenyon was saying about, like, all of the kinda confusing harmony that it doesn't quite work for you.

I kinda don't mind it.

I, I sort of like the, like, wandering quality.

Can you remind folks where they can find more of your content? Like, where would you want to point them to?