R
Risa Puleo
1
APPEARANCES
1
PODCASTS
012
DEC 30
JAN 6
JAN 13
JAN 20
JAN 27
FEB 3
FEB 10
FEB 17
FEB 24
MAR 3
MAR 10
MAR 17
MAR 24
MAR 31
APR 7
APR 14
APR 21
APR 28
MAY 5
MAY 12
MAY 19
MAY 26
JUN 2
JUN 9
JUN 16
JUN 23
JUN 30
JUL 7
JUL 14
JUL 21
JUL 28
AUG 4
AUG 11
AUG 18
AUG 25
SEP 1
SEP 8
SEP 15
SEP 22
SEP 29
OCT 6
OCT 13
OCT 20
OCT 27
NOV 3
NOV 10
NOV 17
NOV 24
DEC 1
DEC 8
DEC 15
DEC 22
DEC 29
JAN 5
JAN 12
JAN 19
JAN 26
FEB 2
FEB 9
FEB 16
FEB 23
MAR 2
MAR 9
MAR 16
MAR 23
MAR 30
APR 6
APR 13
APR 20
APR 27
MAY 4
MAY 11
MAY 18
MAY 25
JUN 1
JUN 8
JUN 15
JUN 22
JUN 29
JUL 6
JUL 13
JUL 20
JUL 27
AUG 3
AUG 10
AUG 17
AUG 24
AUG 31
SEP 7
SEP 14
SEP 21
SEP 28
OCT 5
OCT 12
OCT 19
Oct 6, 2026
October 6, 2026 - Keith Lockhart, Martha Raddatz, and Risa Puleo and Kate Gilbert on the Boston Public Art Triennial
46:04
51:17
Jared BowenHOST
I'm curious to know more about this, how you see public art and how it can be more than a literal object.
R
46:13Risa PuleoGUEST
I think in my own experience making public art exhibitions, I'm thinking about the work that I did for the Counterpublic Exhibition in St. Louis in 2023 when I was one of a team of curators.
R
46:28Risa PuleoGUEST
I had a project of how do you make an exhibition that is nearly invisible and And that was very much in response to the city of St. Louis and thinking about so many histories that have been literally erased by the removal of ground that was used to build the railroads and set the course for Manifest Destiny going west.
R
46:53Risa PuleoGUEST
And to think about how not to participate in that erasure, but instead to think about the material or immaterial languages of erasure differently and ask us to sort of think sideways or against the grain of looking and have an embodied experience.
R
47:12Risa PuleoGUEST
So I had artworks in that exhibition that kind of flickered in and out of view as augmented reality or projections that only came up at night.
R
47:22Risa PuleoGUEST
I'm definitely with my team thinking about all the many different kinds of possibilities for what art can be.
Jared BowenHOST
I've read already that you're going to people on the ground who know, people who've been working in the public art space, people who've been working in museums.