Raine, how about yourself?

I lived in a small town called Wellington, North Carolina for a couple years when I was young, and when I was about five, I started auditioning for the, like, community theater plays

[laughs]

Um, no, I, I, um, I read the scripts.

I, I read them and, and, uh, yeah, I mean, I, I read Big Girls Don't Cry and was just, and just, like, fell in love with it and just believed in it and wanted, and really loved this character.

I think Freya, to me, um, represents, you know, uh, authenticity and, like, just being 100% yourself and not, not judging or criticizing little things about yourself or other people, and there's, like, an ultimate freedom in that that I really wanted to, like, em- try to embody and represent.

Um, and, and because she is so herself, Sid gets to, uh, Annie's character, Sid gets to see that and then sort of feel permission to be herself or, like, maybe it's not that deep.

You know? Maybe it's not that big of a deal.

Maybe you can just, you can just exist and, and it doesn't, you don't have to, like, over-correct yourself or try and be something else.

... that you were part of it, but what do you think is like the best part about this movie and why people should go and see it?

And how did you feel when you read this particular screenshot? Inspired.

Yeah, I just, I had so many... conversations with Gabe that, like, I felt that, you know, made me feel, like, lit up.

And he always, he describes Morgan as, like, the soul of the movie.

Like, the world is so bleak and there's, you know, Connor is in his own, like, isolated, like, AI world, and she's kind of busting the door, and she's like, I'm here, and I'm going to feel all my feelings, and I want you to feel all your feelings.

And, like, it's just a human, like, messy three-year-old sort of, you know, like...

No filter.

We were talking about

What were the conversations you had with Gabe? What