How do I represent somebody whose flow is a little more awkward than mine?"

Well, I mean, I, you know, it's, it's, uh...

Okay, so, like, I obviously, like, when you construct a verse, like, you want a lot of internal rhyme.

Like, you're looking at your consonants, you're looking at your assonance.

If you're trying to do something really fast, then you're making sure that, like, you end on words that land on, like, a plosive that can propel you into the next word.

Like, it's, it's, it's about, like, marrying the things that you have to say to, like, the physicality of, like, your mouth and what it's capable of so that you, like-

[laughs]

...