Philip Pullman
Writer
4
APPEARANCES
4
PODCASTS
012
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Jun 29, 2026
Philip Pullman on 40 years of storytelling, and saying goodbye to beloved characters
23:07
23:25
27:43
Rhianna DillonCORRESPONDENT
Her three great loves sort of serve her at different points of her life.
Philip PullmanGUEST
He's always there and he will always be there and they will always be together.
Rhianna DillonCORRESPONDENT
So how important do you think storytelling is just in our lives? day-to-day lives and the way that we speak to each other
Philip Pullman: Life Imitates Art | #67
2:53
3:07
3:21
L
2:50LukasHOST
Mm.
Philip PullmanGUEST
He let the poetry itself work its magic on us, and we were, we were, um, bewitched.
Philip PullmanGUEST
I, I, I remembered that later on when I was a teacher, and as often as I could, I let the poetry make work its own magic and didn't bother load them down with explanations for what it meant before I got there.
Philip PullmanGUEST
Um, so that was an example of how young I was when I was thinking about stories.
36 MINS LATER
L
38:55LukasHOST
Mm.
Reflecting on 30 years of 'The Golden Compass' with Sir Philip Pullman
6:10
9:05

Indira LakshmananCORRESPONDENT
What were the concepts that you were playing with here? It, it, you know, it struck me as innocence and original sin versus knowledge and consciousness.
P
6:20Philip PullmanGUEST
It has to do with-The old ideas of innocence and experience, that's the terms that William Blake, the great poet and painter, uh, used for the two contrary states of the human soul, as he put it.
P
6:33Philip PullmanGUEST
We begin by being innocent, and then later on as we grow up, gradually we lose that innocence, but we become experienced.
P
6:40Philip PullmanGUEST
This is a very old idea, which, um, I was playing with, and it s- seemed to me I could symbolize this by the dæmon.
P
6:47Philip PullmanGUEST
It's another way in which the dæmon was very useful, because when you're a child in Lyra's world, your dæmon can change shape.
P
6:54Philip PullmanGUEST
It can be a moth one minute, a, a snake the next, a dog, a cat, a cow, anything.

Indira LakshmananCORRESPONDENT
What got you to this place of showing us a damaged beloved character?
#149 My Problem With C.S. Lewis - Philip Pullman
7:44
8:01
8:20
8:28
Philip PullmanGUEST
When A.A. Milne was ed- associate editor of Punch, which was in the early part of the century, n- n- up to the Great War and through the '20s and so on, he published cartoon after cartoon of... which, which, which were all the same, the same joke.
Philip PullmanGUEST
It's a little child, often in a state of semi-nudity, in the bath or changing on the beach or something, saying something unbearably cute and sweet and charming, and, a- and adults looking on fondly.
Philip PullmanGUEST
I, I've got a copy of, a bound set of Punch for those years, which I inherited from my mother, and it wasn't until I'd looked through it a- a- and noticed this.
Philip PullmanGUEST
I was thinking about the children's literature and innocence and experience thing at the time.
1 HR 21 MINS LATER
