Mm

...

in that terms of, um, any one of us would lead a project, follow a project, support a project, uh, share even the running of the business.

Because I- You know, I think how we've managed to be independent is that we've managed to make money together and that's a really interesting kind of thing to bring into a conversation actually, because when you've grown up as arts practitioners and, uh, you know, many years ago it was a lot cheaper to live and it was a lot cheaper to make art.

Um-

It's not entirely people plucked from the, from the public domain.

No. It's a mix of professional and community performers, and, and it's probably worth saying that how we work now is we work with a pool of maybe up to 30 or so performers, um, creative, you know, sound people, lights.

Like, how we have remained Taxi is now the people we work with are just a wider pool, but aren't really part of that carrying the, the whole running of the company.

And how do you take it? How does the performance unfold?

Well, it's a very physical theatre work.

And so part of the work is through movement and choreography that, again, is scored.

Some of it's set, but some of it's improvised.

But it's like we've structured the work so there's a sound design.

There's a beautiful design.

The whole room is one big yellow room.

Did I miss