And then once a writer goes off to write their script and they kind of go in isolated land, what's that like for you? How do you kind of mimic your story to go along with the board or are you able to find things that maybe are not on the board that you all discussed?

It will vary show to show, right? Different showrunners are going to want you to go, you're going to go off with a different level of information depending on the show.

There are shows I have heard of that have like 35 page outlines that include dialogue pitches and are very detailed in what's supposed to happen in those scenes, right? That implies that you do not have a lot of freedom.

when you go off to write it.

The expectation is you are going to deliver what the room has sat there and crafted and put dialogue in and said this is what it is.

There are rooms where you're going through right before you go off to write every, we'll walk through all the scenes, make sure the person has answers to any questions they have.

And sometimes like someone will say, so, um, do we want to talk about how you get out of the scene? And I will usually say, that's a writer's problem.

What, what does that look like? Or what did that look like for you? Like what made your work ethic stand out so much to where you got the opportunity to co-write The Banker?

So what was your path in getting to that first job in television?

So a lot of that TV watching, it just didn't occur to me that people wrote it.

Like, I was so far removed from how the business worked.

So I thought I was gonna be an actress.

And I wrote things, but I wrote things just to give myself something to play around acting, right? And in my senior year of high school- I took AP English, and shout out to Mike Phillips if he ever were to hear this.

It was my AP English teacher.

And he...

Can you tell us a little bit about your show now that you're working on?