How did you approach custom design for animation for a world like Raygun?

It was one of the hardest films I've worked on thus far, costume-wise, and the range of characters.

I've never worked with so many characters in a movie that are all important, you know? It tends to be a smaller...

like the protagonist, et cetera.

So that was a challenge in on itself, but it was really to start from the beginning is seeing the script, reading it, understanding who these characters are.

And I worked on this for four years with Bran since 2022.

So there was a lot of time to, you know, see that ever-developing script, get to know the characters, get to know their character arcs and sort of create DNA for the costuming, which was, you know, retrofuturism.

a lot of detail it's attention to that detail