N
Nathaniel Ahart
1
APPEARANCES
1
PODCASTS
012
DEC 30
JAN 6
JAN 13
JAN 20
JAN 27
FEB 3
FEB 10
FEB 17
FEB 24
MAR 3
MAR 10
MAR 17
MAR 24
MAR 31
APR 7
APR 14
APR 21
APR 28
MAY 5
MAY 12
MAY 19
MAY 26
JUN 2
JUN 9
JUN 16
JUN 23
JUN 30
JUL 7
JUL 14
JUL 21
JUL 28
AUG 4
AUG 11
AUG 18
AUG 25
SEP 1
SEP 8
SEP 15
SEP 22
SEP 29
OCT 6
OCT 13
OCT 20
OCT 27
NOV 3
NOV 10
NOV 17
NOV 24
DEC 1
DEC 8
DEC 15
DEC 22
DEC 29
JAN 5
JAN 12
JAN 19
JAN 26
FEB 2
FEB 9
FEB 16
FEB 23
MAR 2
MAR 9
MAR 16
MAR 23
MAR 30
APR 6
APR 13
APR 20
APR 27
MAY 4
MAY 11
MAY 18
MAY 25
JUN 1
JUN 8
JUN 15
JUN 22
JUN 29
JUL 6
JUL 13
JUL 20
JUL 27
AUG 3
AUG 10
AUG 17
AUG 24
AUG 31
SEP 7
SEP 14
SEP 21
SEP 28
OCT 5
OCT 12
Oct 14, 2026
TIFF 2026 Full Festival Analysis (ft. Nathaniel Ahart) | ANTICIPATION BLVD.
N
13:57Nathaniel AhartGUEST
But it's just this incredible journey for this lead, uh, character played by, uh, Putri Marino, uh, who goes back to her hometown after a lot of shit went down, and is just, like, doing everything in her power to help out the community from, uh, the corrupt officials and leaders in the town who wanna trample everybody under their feet and abuse them at any cost, uh-
16 MINS LATER
N
30:08Nathaniel AhartGUEST
World War I. Um, and it's just, it takes a little while to build, but once it does, it's one of the most engrossing, uh, beautiful, haunting films of the entire year, and I just think one of the seminal, uh, queer films of this decade, at least that I've seen.
N
30:28Nathaniel AhartGUEST
And there's, like, performance, because basically it follows this Belgian, uh, troop on, on the front lines of World War I, and this performing, uh, arts group who kind of, you know, goes along and, and, and, you know, gives them some entertainment, often, you know, dressing in drag.
