Yeah, yeah, yeah.

But then from there, whether it's Amanda Diebert on Darkwing or it's like, you know, Alessandro Rinaldi and Elliot Kalin on Hades and Jeff Parker on Zootopia.

It's just like bringing people with something to say, something to say that will scratch the itch of like determining like who can figure out the vibe of each one of these kinds of characters and worlds and also bring something particular and specific and organic to to each one of them.

Um, for Robin hood in particular, this one was boiling for a long time and much like the movie itself from, from 1973, it's like, it's kind of the culmination of like a bunch of different disparate parts from all over the Disney stuff that we pulled together into one.

Um, I have a really soft spot for, for the movie and, uh, and just organically through working on gargoyles, I found out that Greg does as well.

And then from Zootopia, I found, which also features a Fox.

I found out that Rinaldi was a huge fan of Robin Hood.

Will that be in the book, and how do you do that, I guess, in any medium?

But how do you walk that tightrope?

Well, that's very nice of you to say.

There's a list.

There's a list of stuff that we can do.

Yeah.

Yeah, we could just kind of slap it together and package it and just like throw it out there.

It's like, hey, you like this? Here's this.

So I just think that's interesting context you guys have added with these books.