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Michelangelo Matos
Music author and journalist; wrote "Can't Slow Down: How 1984 Became Pop's Blockbuster Year" and "The Underground Is Massive" on electronic dance music history.
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APPEARANCES
2
PODCASTS
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Jul 6, 2026
1984: The last great year of pop
7:35
So 1984, though, was it a reaction to what was happening around the nation and the world at the time? Was the music a particular response to, say, the economics?
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8:03Michelangelo MatosGUEST
People in America particularly were just like, it was a consumer paradise.
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8:09Michelangelo MatosGUEST
And there's a lot of stuff in the book about that, about the skyrocketing sales figures of consumer goods.
80s Roll 20: Queen, Bowie & Jagger and other highs and lows of Live Aid
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5:04Ed LeggeHOST
Well, so what, what are, what were the other, what would you say the ones that were the must-sees?
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5:12Michelangelo MatosGUEST
U2 stole the show in America because they didn't show the Queen segment.
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5:17Michelangelo MatosGUEST
So U2 walked away with it for as far as American rock audiences of the Rolling Stone reader con- variety, um, [clears throat] were concerned.
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5:29Michelangelo MatosGUEST
Um, U2 is incredible on that show, especially when you know that for half of the last song, the second song, which turns into their only other song, they're supposed to play Pride, their only hit.
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5:42Michelangelo MatosGUEST
And instead of getting to do that, Bono just jumps off the stage and goes and finds a fan, and d- dances and ser- you know, goes for the throat, basically.
34 MINS LATER

