Mm-hmm.

But when they walked away from the car, they weren't on their phone, they were walking.

They walk a lot, but they don't do it until, like, around between midnight and 2:00 AM.

That's when they get out of their car when it's not hot, and they get out and they do their little walk.

And then during the day they just stay in their car, windows rolled down.

I mean, they sleep in there.

They basically have, um, like wipeys, you know, like bath wipeys? They, that's how they bathe, and then during the week.

Mm-hmm.

Well, Mountain High Valley, well, it sounds like there's ten basses on that

record.

A couple of electric piano, regular piano, whatever.

Acoustic guitar sitting there, not on Surfing USA, but sitting there.

Anyway, they only had 12 or 13 mic inputs at Gold Star and at Studio 3.

They only had, so it wasn't like, you know, and they ended up going on to a track or two maybe two tracks if there was a four track, but I don't think Surfing USA was a four track, maybe, but it was on a track, and then that was that.

They had to make decisions right then.

Okay.

You.

And she didn't write.

Belinda didn't write.

But oddly enough, the bass player that had come into the band to replace one of the girls at that point, she and a guy wrote mad about you and it was on a cassette just a random cassette and uh and charlotte who had written you know we got the beat and all she's a great songwriter great songwriter she had a couple of real good songs too but mad about you just was And when I played the cassette, I said, oh, this is the song.

This is the song.

This is great.

We've got to do this for sure.

The way people go about it has changed a little bit, but it's still a producer.