Yeah.

Um, and I, I think this gets back to the kind of schema that you were laying out for us because a, a public...

I mean, this audience is a public, right? You are, you are here as an embodied audience, but you are also the public whom I'm addressing my remarks to, right? But when I publish something in the review, that piece also has a public, and that public is instantiated by the circulation of the review.

So if you were to take those reviews home that Emily brought, and your partner were to pick it up and start reading it, they would be part of the public.

Of the review, and they would be part of the public of whoever the person is whose voice is addressing them from within those pages.

And that voice would have to have a distinctive, uh, style.

It would have to perform various acts of hospitality, like the two of you were talking about, adding context, taking a reader and drawing them in, making sure they're not lost, making sure they're entertained, making sure they're seduced.

It takes all kinds.