So how long was the post-production stint for you guys, and were you on it periodically when material was ready to be dealt with, or were you in it on, uh, every day, or was there a kind of you started in pre-production and you came in through a shoot? Give it, give us the whole idea of how you got involved and, um, where your roles started and ended.

I actually, when I started working at Sound Firm, which was in November of 2022, they were already working on Memory of a Snail then, and that was just kind of the pre-shoot stuff and the set up and dailies workflows and things like that.

Um, and then throughout 2023, uh, we would get rushes at the end of every week to be processed.

Uh, I wasn't doing a lot of that, but you saw them coming in and you'd check them and things like that.

Um, and that was, they would shoot, like, five to 10 seconds a day, so your rushes at the end of the week were maybe a minute worth of content.

So compared to a normal live action film, which you're getting, you know, you might be getting six hours at the end of one shoot day, you're getting a minute a week.

So- You know, the shooting ratio was much, much lower for kind of shots to things.

Marnie, do you have a, a moment where you kinda came across something and just went, "Holy Toledo, this is awesome, but how do I do this?"