Can you talk a little bit about how trust and safety is different on a visual platform like Giphy compared to other spaces, whether that's Meetup or what you know from the ecosystem? What's unique about keeping visual content like this safe? Mm-hmm.

Every platform deals with context, and it's kind of always the hardest thing to navigate.

There are platforms that are out there that have a lot of context available to people or to machines who are viewing potentially harmful content.

On platforms where there's only one content type and no text fields, no comments, etc., it's difficult to kind of understand the context of that file upload.

And it can be really hard to anticipate how that content can be used and what... you know, in that position, you sometimes have to think of like the worst case scenario and what the impact of the worst case scenario might be.

And then you have to frame your decision around that.

So, you know, I'll give an example of like, and pretty relatively straightforward, but, you know, content featuring a tragedy, like a terror attack with a video of like a building smoking or whatever that could be used, you know, in like a history presentation at a school by an individual, you You know, speaking out about the horrors of terrorism.

Can you tell us a little bit more about that part of your life and how you got into it?

And they're actually doing like, Artist edition of this soon, too.

But this you can pick up and read.

Actually, there's been about three or four different Beta Ray Bell miniseries, and they're all kind of good.

The other thing, there are a couple Simonson editions.

I have the giant Simonson hardcover, which recolors it, but it's so funny the way that your brain works.

It's like, when I look at this, I just want to look back.

I have this in newsprint.

people can see that one, because it's going to show Rob the entire time.

edition of this soon, too.

But this you can pick up and read.

Actually, there's been about three or four different Beta Ray Bell miniseries, and they're all kind of good.

The other thing, there are a couple Simonson editions.

I have the giant Simonson hardcover, which recolors it, but it's so funny the way that your brain works.

It's like, when I look at this, I just want to look back.

I have this in newsprint.

Mark, talk so people can see that one, because it's going to show Rob the entire time.