Tell us about your collections and your creative process.

Well, when I went to Syracuse and I, you know, I wasn't sure what I was going to do exactly, even though I knew it was an art.

And my professor said, you're going to you're not going to make a living as a painter, but you're going to make a living as a textile designer.

I switched my major to textile design.

So textiles is the root kind of of everything I do, but it's not everything I do.

But there's always that idea of how color plays on material, how color and material interplay, whether it be fabric or wall covering, which of course is my collection that I'm very, very proud of called Weitzner.

And then I have other product lines, like I do trim testamentary for Samuel & Sons.

How do you balance intuition versus intention in your creative process?