Yeah, so it's pricey.

I will say first that it's kind of hilarious to look at Japan versus America.

It's such a caricature because the frushi is like this dainty little four pieces of sushi and the American funnel cake is like a mountain on a plate of dessert, which speaks for itself.

What you were saying about the frushi is actually very true.

So I used to be kind of a frushi hater.

I mean, not a hater, like it was fun and silly, but it was just like rice and fruit with some whipped cream on top.

And they've recently, I think last year too, they leveled it up.

and complex all at the same time.

Lisa?

Yeah, I mean, I think we're all looking at Doomsday with what I would call like, hopeful optimism.

Like it looks like they're going back to the versions of the characters that we love and, you know, not the versions of the characters that they sort of mocked for their own entertainment.

I love seeing, you know, Thor and Captain America and, you know, the other teasers that they've given us with where the characters are sort of back in that like serious, meaningful version of themselves.

That being said, like, Endgame was lightning in a bottle.

Endgame was a phenomenal movie, but also it wasn't just about Endgame.

It was about the 20 plus movies that made us fall madly in love with these characters and their stories and feel so incredibly invested in them.

Are you in or are you out? Take it away.

Lisa?

Um, you know, I think- I don't know if I'll break it down like piece by piece, you know, like, like Becky did, but I think just like on a grander scale, you know, Disney's built on nostalgia, and our love for Disney's, for so many of us, is built on nostalgia.

And my, my dad used to have this, this saying, he would say, he would sit me down when I was going through something, and he would say, "You know, all change is loss, and all loss must be mourned." And I feel like, you know, to the extent that, you know, Walt said the parks will never be finished, you know, that we're always moving forward, and, and that's a part of all of this.

But at the same time, like, when we make these changes, when we, you know, get to have Monsters Inc., it means we have to lose something else.

And, and I think that, like, to the extent that Disney understands that so much of our love for the parks is built on nostalgia, and, you know, I love it because I did it with my parents, and I love taking my children because I wanna give them those same memories to have with their kids, and that's what so much of this is all about.

And you know, it, it means so much to me when, you know, we start to talk about potentially, like, losing Imagination, but seeing that they understand that Figment is important to us.

So it meant a lot to me when, you know, the, the Aerosmith contract ended, that they chose to reinvent that attraction with a Muppets theme.

As I look at my wall of Grogu, which is off of camera right now, um, I think I'm personally really, really excited to experience that.