Is this Kathleen

Turner? That's me.

Wow.

That's you.

Kathleen was my middle name.

Oh, my God.

Who made this? It was made by Raymond Wong in Greenville, Mississippi.

They made, you know,

Mm-hmm.

So that did not go well really early on.

But the, the thi- the one that's pops out in my mind is Okay, and I don't know if this is, like, a, a thing that happens out in the world or if it just was a one-time thing, but when my husband and I first moved to LA, we had a...

We, we rented a place.

Like, it was a t-

"... and start looking around." Okay.

It was facing out, and the broken glass that would've been on the inside if they had broken that window to get in was outside of the window on the, on the dirt path.

So I know somebody let themselves in with a lock in that room and then staged it to look like they broke in from the outside, but not thinking like, "Oh, right, all of that glass and those dirt prints should be the other direction."

Mm-hmm

... have enough to go on.

Sorry, we need a minor saying that she's had s- do we? Do we really? Do...

I, I have to get a minor to say she's been raped in order for this guy to be stopped? And he says to this, this cop, this hapless cop, which is in every documentary.

It's not just this one.

[laughs] It always gets to a hapless cop.

And he's basically, not basically, he's telling the documentarian, this, this woman and her...

Go ahead, Red.

Can we segue a little bit to your directing?

Yes.

Well, mom energy, for me, comes in a lot with directing.

When you were talking about it, um, I was thinking, like, uh, I think I bring a lot of like...

Not that I'm like parenting when I'm directing, but like there's a lot of natural supportive energy coming in.

Like-

Yes

...