Can you tell us a bit about the vibes of this, uh, variation?

This was originally the second variation 'cause it's a big one.

It's symphonic and it, it's, uh, it's a lot of development in it.

I think the, um, I don't know where the 5/4 came from particularly.

I think a lot of conductors don't [laughs] ...

It's a bit of a challenge [laughs] to a lot of conductors 'cause it's not a regular three plus two.

Um, but probably that's the best way to conduct it.

Well, we have things get a bit more lively here, don't they? Just before section nine, we stay in that compound meter, but, uh, it whips along, doesn't it?