I wanna have my life changed by Britney while I'm at the dentist."

Well, part of this is because Brittany then comes out of this and is like, "I'm getting all of the solos now.

I'm better than all of you, and, uh, move out of my way essentially." And so she and Santana go back- Because one, Brittany needs more work, and Santana has a fantastic dental plan, and so she gets a extra strong teeth bleaching.

Which is, again, hilarious.

She does a whole monologue about her dad's a real doctor, and so Carl needs to shut up and just give her the gas.

And they together have a another anesthesia hallucination of them doing a duet to Me Against the Music, and also it's never explained why they're able to telepathically link-

Mm-hmm.

So let's finish off with, um, there is in fact a Britney Spears sex riot at the homecoming assembly as Sue predicted.

by it yeah so uh before we start we have to pick our goose personas our goose identities uh in the back of our rules there are four goose archetypes has any of these goose archetypes stood out to any of y'all do you have any idea for your characters

Now, I feel like in general, I tend to play bruiser-esque characters, which I think is sort of classic to the genre.

However, I am very intrigued by the counter archetype here, which is they describe it as counter is the bean counter of the crew, the one that keeps track of the money.

Great at speaking words that go way above heads, but pretty weak in the intimidation section.

I don't want to be the one to say it, but do we think it was an inside job? Who else has access to the goose mother's chambers other than those very much among us? Among ourselves? Yes.

That's what I'm saying.

I think that maybe we got to ask some of the other birds that aren't goose related or part of the family themselves, because then they might be able to, one, we can intimidate them.

True.

We're gonna get to know the, the waiters and the crowd."

Mm-hmm.

Uh, one of the things that I found interesting, and I don't know if this is me projecting onto the, the plot and the way that they were performing it or if this was like what the movie was actually trying to get across, so, so bear with me.

Uh, but what I really liked was as he, the club owner, starts to go backstage, you hear the music that's playing on stage, but then you also hear the like siren version of that starting to like slowly build the further and further he gets backstage.

And I like this idea that typically we see a lot of the people backstage, like, uh, keep saying backstage, but like in the kitchen, like the waiters before they're going out to like serve food and stuff, they're all kind of dancing to the music.

And in my mind I'm like, that's normally not what's happening.

Like these people are not-

Mm-hmm

I know you guys wanted to talk about that sort of forbidden hospitality, and I, I think maybe this would be a great place to get into that, um, especially when you consider roots and stories like, and myths like Persephone and Dionysus and-

Yeah.

Yes.

So let's, let's talk about...

There's a couple of examples.

I think this is really interesting because I think a lot of the fairy lore around not eating food comes from that, like, sort of preexisting mythology.

So the fairy-- I can get into more of, like, where our fairy lore specifically comes from, where it, like, explicitly says, "Hey, don't eat that fairy food." It's much later than you probably would think.

Not known for his brevity.