Hmm.

Um, he was the sort of, like, tender, queerer Richard Serra in that he, he worked with this polished marble.

It was...

He was often making these kind of, like, seats or...

And sometimes public benches in areas where people would gather, and it was all about, like, you could sit on the work.

You could touch the work, and it was kind of about breaking down the barrier of art being this sort of untouchable thing on a pedestal.

He was, you know, in conversation to have a major exhibition at MoMA.

Sounds like a lot more is coming.