What, what, what was your kind of, like, um, inspiration for wanting to do a lot of adaptations?

Well, so, um, I guess this kind of goes back to, uh, the overall larger question of, like, uh, when I was in development of this, and I was...

Again, it was COVID.

I was just writing scripts, and I was like, "What do I want this show to be? What do I..." You know, I landed on the Carpenter and Cronenberg kind of vibe, and then I just went, like, "What is, what is the strength that, um...

What can I do in this format that will be the, the strongest version of this format?" And for me, it was being able to adapt stuff that is, um, classic literature, public domain stuff, but it would require a huge budget if you're doing it in film.

So this project became, in a lot of ways for me, a very, like a bucket list kind of a spot where I could say...

I, I could find a story that I love and say, "Can I fit it into this Carpenter, Cronenberg, like, modern domestic sadness and weirdness, surrealist acid horror," as I call it, "aesthetic?" And once I found ones that fit, then it, it just kind of became easier and easier with each, each adaptation because then, like, um, as somebody that, that grew up reading so much of, of horror literature, like, I s- I love horror literature from, like, the late 1800s, early 1900s.

What, uh, like, w- how do you create your show? What is your process for creating your show?