... wholly think, uh, they should have that model

... classes, uh, as a, as a money-generating thing for theaters, and I don't think that's a bad thing.

But I think if the core of it is to kind of teach people, uh, who are interested in, in performing it, uh, to kinda give them the experience and some, you know, uh, frame of reference to perform, but also to be better, um, more, um, educated, um, uh, audience members, you know? 'Cause y- this isn't something that's just easy to come in and, and n- people don't get it, you know, right away.

It, it, it, it's not...

That's, that's the beauty of it, I think, is that it's not easily, uh, marketed and, and, and, and, you know, uh, merchandised, which is so cool about it.

So I think if classes come from that point of view, then it's great.

If they come from the point of view of like, "This is the only way to improvise.

I get it.

What do you mean I'm tagged?

... it's not me personally.

Yes.

I've, what I've done is I've placed a tag on all the students here so that, uh, we've downloaded all of your information.

I have all of your records inside my noggin right here.

And, uh, yeah, when your parents, uh, registered you with this, with this class, they checked a box, and when they checked that box, everything that is you is now in me.

He'll feel more comfortable that you know his name.

Well, it do- like, when I put my hand just to ch- on your, on your shoulder just to let you know, I don't have any sensation, but it makes you feel, like, more connected to me even though I'm not human.