So are we only cloud bound? Do we have, like, a local data center or local workstation compute? Let's kinda talk about that and some of the reasons why a customer of yours would want to pick one option or the other.

So the answer is probably all of the above, is probably the least [laughs] complicated way to answer it.

Different models have different speeds, different models have different deployments, and all of it is very customer-centric.

So to handle that podcast scenario, which is, let's say, a podcast freelancer or creator, you know, there we run that all in the cloud, where they're uploading the file, processing it.

File's deleted from our side, off it goes.

The...

Where the workstations really come into play, and I would say, I guess the advantage there on cloud, certainly on our side, uh, quick and easy to deploy new models.

Which one are you the most proud of? Not because of the logo or how much they spend, but which one brought you, like, the biggest technical challenge, and you, like, nailed it, and you were like, "We nailed this"?

So maybe there is more that's actually in the middle there, but that's where it feels like a lot of this is heading.

And just going back to Antonoff, I hadn't heard that, but it's interesting because let's say the training data debacle didn't exist.

Let's say all these systems had behaved ethically from the start and artists were participatory.

But let's just say, then you probably still would have people saying what he's saying, but the argument would maybe not be as blurred.

Like, is he saying that because he believes that artists were ripped off in the creation of these tools? Or is he saying that because it feels like cheating? And I think you'd still have people that would say it almost in the bucket of it feels like cheating.

I think I saw something the other day that Queen originally posted something, or posted, what am I talking about? In the 1970s, Queen posted to LinkedIn.

But I mean, like Queen said something when they released their album of like, no synths were used on this album, you know? But I imagine you'd still have people that would say, I don't want to use these tools because I value so much the difficulty.

Has that ever come up?