Yeah.

And so look, um, basically we take all of the equipment over there, uh, all of your, your drops, your instruments, your equipment, um, e- even down to the beds, the mats, um, haul it over, all over to, to Phnom Penh.

They have a, um, area where they can store equipment, and so some of it stays there.

But all of the, um, the other things, the, the drops, the dis- uh, you know, disposable or reusable thing, they all take it over.

Um, there's a couple of boats, I mean, a couple of airplane, you know, flights that take everything over.

And, um, we set up.

We have about four days of setting up, and that's cleaning the whole theater.

So was there a particular patient story or an experience from Cambodia that you could share with us that stayed with you and reminds you why the work's so important?

Would some of them recognise you at this point, at least from your laugh?

Yeah, definitely.

There's an Australian comedian called Zoe Coombs-Marr.

I've been seeing her work.

at least a decade, if not longer.

I know that she knows my laugh.

Definitely some theatre makers in my town who I see quite a lot, they'll sort of run into them in the foyer and they'll be like, oh, I heard that you were in tonight.

You have a lot of feelings and suspension of disbelief is strong with this one, one could say.