that 37

close um and had that console that gordon designed that had modulators on every channel So Microphone was a piece for that particular situation.

And it is one of the few pieces that he revived, you know, after Osaka.

And he did it at Mills, where John and I taught.

So the way he did it at Mills, at least as much as we can infer, is a little different because it was not the same setup.

It was not the same kind of space.

But it was done in the kind of staircase, this resonant staircase hallway at the Center for Contemporary Music.

But to have a character that was born out of the whole configuration.