[laughs]

"That's what works for me." There's...

I don't think there's one single recipe that, that makes you a great aviation photographer.

You need to be present in the moment and see, um, you know, what is the light, what's the light doing, and what's the aircraft doing, um, and, and, and determine what you are going to do from that point.

Obviously, there's small tweaks that you can do to make an image look more appealing.

Um, I think just from a, um, you know, let's take for instance prop blur, because that's quite a con- contended issue when people take pictures and the propeller of the airplane's stagnant.

You know? There, there are things that you can do to actually make the prop move, but you have to keep into account, you have to take into account that the rest of the airplane is moving as well.

... uh, F-stop do you select and so on when you do take pictures.