Presumably that makes those conversations a little bit easier.

I think actors are very quick to establish that I use a language that they're very comfortable with, that in fact they engage, that they use.

Once I start saying about actioning and strategies and objectives, they know.

And like Sir Johnny Bailey, who is an absolute brilliant actor, or any of the fantastic actors, Jack Loudon, any of the Olivia Colmers, any of the fantastic actors I've had the privilege of working with, they know very, very quickly that we're on a safe terrain.

We're on a terrain where I'm going to encourage them, enable them to dance in the world that they feel comfortable with.

Now, I do feel that having trained as an actor, When I trained as an actor, I trained as a classical actor.

So we were looking at the Greeks, we were looking at Shakespeare, we were looking at Chekhov, we were looking at restoration.

There are many dances.