Mm-hmm

... rather than castles in faraway lands.

And let's talk about visual effects.

There were effects-driven films before The Invisible Man, with George Melies and Willis O'Brien creating the fantastic, but The Invisible Man may be the first instance of visual effects used not to create a fantastic world, but rather put the fantastic convincingly in the real world.

Looked through today's lens, we can see the seams, but the inventiveness remains, the perfect timing allowing us to register a man with a transparent jawline for only a second before we cut away.

You can imagine the startled scream from 1933's audience so clearly you can almost hear it.

The wit and pace of The Invisible Man engages you instantly and holds you closer for longer than movies made decades later.

Mr. Bennett, you may begin.