Yeah, we may do that, yeah.

Probably one of them.

So what's in your list, Henry? I brought a funny list for EOD because I decided, you know, skeletons don't work, so let's see if mummies change.

And so it's Pharaoh, and he's got the Surge upgrade.

I've got two Cursed High Priests on Undead Horses.

One has Surge 8, and the other has Surge 8 and Blizzard 3.

I've then got two Hordes of Revenants.

And you've only lived in St. Louis.

Yeah.

I like the crazy rules that Dead Zone has that Halo doesn't have, 'cause it has to stick more to the, uh, the story and what Microsoft wants.

And Dead Zone, to me, kinda like their, their, uh, freedom version of Halo in a sense, of like, "This is what we wanted to do." And I mean, it's been around longer.

It's, it's had more armies come out.

It's had more, more, uh, time for balance, and, uh, updates and stuff as well.

So I think it's-

So what's in your list, Henry?

I brought a funny list for EOD because I decided, you know, skeletons don't work, so let's see if mummies change.

There's definitely an element of like this is going to run

at like 110%.

Yeah.

He's involved a lot.

Like once his project gets in front of him and it's greenlit and it's ready to go, you can see that every waking moment he's just invested in making it as good as it can be.

and like just because something gets signed off and the client's happy with it doesn't mean it's the best solution creatively so there's always an exploration of can this be better in another way which is nerve-wracking from a producer point of view yeah because you sitting there going well that we've kind of ticked that box let's move on to the next one solve the other problems but creatively it works really well and you can see his work comes across yeah in the screen

Or are you doing both?

A bit of both.