Um, yeah.

Like, I think in, in balancing the epic with the intimate, like it, it's all there in the script that, uh, Duncan has written.

Um, like the way that he is able to, you know, fully honor these really intense and epic events in a very Shakespearean or almost like Greek tragedy kind of way.

And then he can really hone in on the, you know, very like domestic and realistic sort of dynamics just between two humans that would be, you know, the same in one of these Shakespeare plays or in, you know, your modern play that you'd get these days.

So, um- Yeah, I, I think it, it's the, the, the content, um, that has been, that we've been given really allows us to sort of bring...

We, we've been doing a lot of work on bringing these big events to, you know, what it would mean to us now.

Like, what with the Tourney of Harrenhal, how would that relate to us now, and how can, how can we feel the, the massiveness of something like that? Um, so, uh, y- yeah, it's really well-written balance and directed.

It's incredible.