little burrito.

So I have been doing animation for a very long time, 25 years I've been doing animation.

The first half of that was back in Seattle and it was making content for kids to teach them how to read.

That's why I got into it.

And that is what I did for 11 years with a company called Headsprout back in Seattle.

When I moved out to Ohio to be closer to family, Headsprout also kind of went under and I found myself here and I was like, well, no one does the kind of animation that I do here.

No one's going to hire me.

What did that process look like as you were establishing how we should approach kind of entering these fandoms and these new audiences? Kind of what was that? What was it like going through that?