Um, no,

it's straight up.

Like, I don't know.

It's, it's definitely, it's, um, little all over the place, a little eclectic, take a lot of influence from hyper pop, a lot of influence from, you know, earlier alternative stuff.

Um, EDM, doing like the whole gambit, you know, just like whatever my soul wants to make is what we're making.

You're not putting a box.

And

I think that's very awesome.

That is a good thing.

Yeah, well, like, that's what I was going to say earlier, like, about the, like, the people's, like, polarizing, like, perspective on this film.

Like, I think a lot of it comes from the fact that we have all seen, or most people, I feel like, have seen To Catch a Predator.

Yeah.

And it's, like... purest form right and it is purely presented as like a moral good where it's like oh we're catching we're catching these depraved individuals exactly but then you see like this film is kind of a depiction of the behind the scenes of it where it makes obviously like the action that he's doing where he's like in like confronting a predator is you're trying to like take that stand and like trying to like put a stop to it.

But it paints Chris Hansen himself as a person, which he's never humanized into catch predator at all.

He's always just seen as like the confronting force.

Which is, like, what I think to catch a predator and just pop culture has, like, whittled into is like the approach to this issue is a firm strong hand right exactly the only way we stop this from happening is just and i get it right because it's the most one of the most evil things that can happen right so of course cathartically you want just pain and punishment for those people but i think i don't know i think there's bigger bigger uh uh solutions yeah and you hear the