It's TIS DSK.

Uh, I have to agree with the first episode.

Like, okay, to be fair, I feel like most pilot episodes in different, like, shows and media that I watch tend to be my favorite episode.

But oh, Jay, you just did so good.

It sets up everything so well, and when I sat down to listen to it for the first time, it's like listening to Kind all over again, you know? It's just like, how do you recreate the magic every single time? It's so good, and I was just immediately immersed, and I was like, "Oh my God, I'm gonna cry by the end of this." [laughs]

All right, and for you, Aurora?

I think for me, in terms of favorite episode, episode five will always have a pretty special place in my heart.

There's just a lot going on there.

People want to escape to Metropolis, sure, but they also love seeing these cretins fail at something.

All right.

Well, we're here at the Pen and Pencil, where the main rule is pens and pencils down.

No shop talk.

Not good.

If I was Anders Van Rossem, and I ran Metropolis, and the island was my family birthright, I would be out for blood.

[laughs]

Coming back into a children's home with 24 lockers, each, mm, 13 to 14 inches square, of everyone's lives in a locker, one gramophone, and you can play music for 15 min- minutes on a Sunday.

Now, I know that Trevor's locker, 'cause he's Black and his parents are Black and his sister's Black, he's got some John Holt records I've never heard.

But this girl who's got black hair who doesn't look at us and she's a bit of a kind of weird character, has got all piercings, she listens to Siouxsie and the Banshees.

And my mate over here has got something else, and, and I've got my hip-hop stuff.

So you put poodles in with rottweilers as puppies, they become best friends.

You put all these kids with their music, we become best friends, and we play music together.

And y- and, and he's got that, and well, you realized that when he got in touch with you?