Um, for you, Gina, how, how did you get involved in this project? How, how did you find yourself di- coming to direct it?

Honestly, like, the short answer is that they were looking for a director and I said, "Hey, would you like me?" And they said, "Yes, please." But the long answer is that we were all at Cambridge together involved in the student theater scene.

Uh, it was my final year, and, uh, they were looking for somebody to take it to the Camden Fringe, basically, after I graduated.

So we worked on it throughout that final year, did, like, a read through performance at a bar night, uh, and then took it to Camden.

And then from there I was like, um, you know, aspirations of taking it further.

So we then went back to London, um, and we've produced all of this ourselves.

Like, all of the marketing, all of the coordinating of, like, set, and costume, and props has all been kind of us three with a couple of, like, other producers along the way for individual runs.

And, and so for you, Gina, a- a- as the director, how has this one been? 'Cause it, it's a rare luxury, I think, for a musical to have such a small cast.