know,

what does that look like for editing? So it's just been this whirlwind, if you will, of like trying to understand it, both, you know, working with them as, you know, as, you know, as them as editors or as actors or anything else.

And it's just, them seeing the vision is also so tricky and this is another reason why you know i love working with jeremy you know he's super intelligent about it he understands you know what the big picture of what we're doing so it's like whether we're doing a full-on feature film or even one of these little micro movies or shorts you know jeremy can read the script we'll sit down have a concert and he gets it he's just on point on you know all the time whether it's you know of choreography, character development, you know, he's just, he's like, he's like, got it.

Cool.

Got it.

I don't need it.

I'm like, all right, cool.

huh, that's cool.