Mhm.

Pero [chasquido de lengua] ella además es que no, lo bonito de ella y que me gustó cuando leí el guion es que en ningún momento, bueno, evidentemente cuando la secuestran, pues, eh, está en shock después y todo, pero no tiene miedo.

[chasquido de lengua] Está rara, está enfadada, pero no tiene miedo.

Eh, es más, al final de la película, no voy a contar nada, pero ahí sí hay un momento en el que sí se da cuenta de que está en peligro real, de que todo es más grande de lo que ella pensaba.

Y ahí yo creo que es la primera vez que siente miedo.

Pero me gusta que ella no se queda en-- después del secuestro, no se queda en esa posición de víctima, sino que decide tomar las riendas, aprender a defenderse y ella quiere hacer vida normal.

[risa] Terca.

Sí, igual que Marfil.

Many street fights.

Many street fights.

No, not that many.

But yeah, I have a little fighter inside of me, so I enjoyed it a lot.

And I love ballet.

I don't have any idea, of course, and I would have loved to have more time to get prepared.

But I think it's one of the most beautiful things in this world.

And I think that is so evident through so many sequences in the film.

with my daughter.

I don't want her to have a phone now, I don't want that.

Well, I think it's super good, for example, the countries that are prohibiting the use of social networks, I think it's from Instagram in particular, not all of them, for minors under 16 years old.

I think it's very important because they are harmful for adults, but also for teenagers, children who are growing up and discovering that they want who they are in life.

It's so polluting and not only because of everything that can get into your head and contaminate and scratch, because you become more and more addicted and disconnected from life, from the present, from the moments, from other people.

It's a danger.

And the idea.

Yes,