
Eric Frost
Visual Director and Photographer for Switchfoot, based in San Diego, CA
1
APPEARANCES
1
PODCASTS
012
DEC 30
JAN 6
JAN 13
JAN 20
JAN 27
FEB 3
FEB 10
FEB 17
FEB 24
MAR 3
MAR 10
MAR 17
MAR 24
MAR 31
APR 7
APR 14
APR 21
APR 28
MAY 5
MAY 12
MAY 19
MAY 26
JUN 2
JUN 9
JUN 16
JUN 23
JUN 30
JUL 7
JUL 14
JUL 21
JUL 28
AUG 4
AUG 11
AUG 18
AUG 25
SEP 1
SEP 8
SEP 15
SEP 22
SEP 29
OCT 6
OCT 13
OCT 20
OCT 27
NOV 3
NOV 10
NOV 17
NOV 24
DEC 1
DEC 8
DEC 15
DEC 22
DEC 29
JAN 5
JAN 12
JAN 19
JAN 26
FEB 2
FEB 9
FEB 16
FEB 23
MAR 2
MAR 9
MAR 16
MAR 23
MAR 30
APR 6
APR 13
APR 20
APR 27
MAY 4
MAY 11
MAY 18
MAY 25
JUN 1
JUN 8
JUN 15
JUN 22
JUN 29
JUL 6
JUL 13
JUL 20
JUL 27
AUG 3
AUG 10
AUG 17
AUG 24
AUG 31
SEP 7
SEP 14
SEP 21
SEP 28
OCT 5
OCT 12
Aug 1, 2026
The Creative/Visual Process of "Forever Now"
3:19
3:26
17:46

Eric FrostGUEST
But, yeah, so Octavio Acampo really, really was, like, gravitating towards those, like, double images.

Eric FrostGUEST
But as the record, like, was being recorded and, like, I visited the guys at – when they came out to Nashville to work with Mike Elizondo, I saw him – I visited them once while they were making the record and – kind of started to think about latching onto this, these lyrics specifically in butterfly effect where John kind of has this, like they have this reveal where, you know, John says like, I, I read when I was a kid that, you know, after your heartbeat stops, there's, you still got seven minutes of brain activity before the lights shut off.
14 MINS LATER

Alicia St. GelaisGUEST
One of our many conversations before they left, I said, oh man, I wish I could go with you because I think it could be really cool to kind of paste up a looking posters or newspapers outside and he goes oh that actually could be kind of sick outside their studio if we we kind of wheat pasted this stuff up and so that was just like a seed of an idea and eric when you got out there uh you can speak into it because i wasn't there i've only heard john's reason of it but talk about when you got there and y'all were going through all the props