And I do feel a little weird about it.

So, I mean, you started this with talking about Cain Parsons' stance against AI.

Cain grew up building and crafting worlds with his own two hands on his computer.

And the love of the craft is what drives him.

The love of making movies, collaborating with other artists is what drives so many people.

Um, that I work with and like, it's, it's what let obsession exist.

It's what let, um, backrooms exist.

I was curious why you were interested in that nomenclature difference.

Do we do this the same way? And did you use After Effects to begin with? Or was that tape to tape? Or what did you do now?

Yeah.

So, I mean, that kind of goes, it all ties in with what we were talking a few minutes ago about kind of the yellow walls and the feel of how do we recreate the feel of the YouTube series? in a cinematic, in a film.

When now we're not just in VHS land, we're also in a cinematic world.

So it started with obviously the sets and the production design and the lighting of how to create the movie version of this world where we're now actually seeing characters.

We're seeing people in this space We never saw people like faces and humans, actors in the YouTube series.

So very quickly we realized, whereas the original Backroom's image, it wasn't yellow walls.

seen