I do have a question for you, Ed, because obviously, you know, in the earlier days and doing stuff when you were at Metaphysics and obviously you were at Moon Valley, the conversation around copyright and ownership and who owns what and prominence became, was a big part of the conversation, right? You know, in Metaphysics, you were talking about, like, who owned the face, who's getting scanned, and obviously Moon Valley was also, you know, building it on their own IP, and it was very much about They're not just grabbing stuff off YouTube and using copyrighted material, right? So my question is, is that still an important part of the conversation or are things going so fast that it's hard to keep track of that and it doesn't matter anymore?

Well, it's...

It's a little bit of both.

If I could be very honest with you.

But look, I think the, you know, look, the tools and the industry and the technology are still, you know, hurling forward at warp speed.

The legal issues haven't changed, right? It isn't like that's all, oh, yeah, it doesn't matter anymore.

No, now we're okay.

So my – like, what is the role of a visual effects artist? What is a new artist in the visual effects world? What's their role? What do they do?

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God, we hoped we had enough money.

Um, and we had enough passion to will the processes and technology into existence.

So when you're faced with something like that, unfortunately, you've gotta break it down.

You take the big problem, and you break it down into smaller pieces, and you can start to attack that.

So we had three main areas that we had to focus on.

We needed to make Brad look a lot older.

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