How hard was it to get the rights for it? You know, like from Monty Python, or was it just like any other

musical? Look, it wasn't difficult to get the rights.

No one had done it in Australia for a while, so I think they were very keen to see it out there again.

But Eric Idle himself has been tremendously supportive of this production of the show.

Oh, great.

And he actually appears in the show.

I use digital scenery for my show.

Book now.

Mm-hmm.

And it was like, it was, everything was happening.

We was getting threats.

They, they doxed us.

I didn't, I was so clueless and so involved in work.

I didn't even know what doxing was.

They put our address online.

What did Carmelo tell you happened that day at the track meet?