Music

First, I will give a short positioning, let's say.

I would like to share with you, since you are researchers in the field of the curatorial, students of the contemporary field of the arts and research in global context, I would like to share with you how I became a curator, very briefly.

Then I would like to clarify the terms that you see here as a way also to state what my take towards the curatorial is and the curatorial archival complex.

The concept that I am proposing to contribute to the discussion to work with archival material in the field of contemporary art Then I will give an insight, very precise and very concrete and detailed insight into methodologies of working curatorially with archives and thinking also, and thinking curatorially also with contemporary art practices.

It will go along the Entangled Internationalism project in which Kweisi Atuanan, Ibrahim Mahama, and many, many more people were involved.

If we have time, I will go to another project that was mentioned, Stanaki Forum Art and Research and Conversation, and I prepared a conclusion as a proposition for our conversation.

fantastic musicologist and also a scholar of African