Were you as moved by Primavera as we were?

Oh, definitely, yeah.

This just goes to show something I've been telling people for a while now.

European and Asian cinema is so far ahead of what we're getting out of America at the moment.

This is a brilliant film.

That opening sequence that you were talking about with the cat, as a cat lover, I found it hard to watch, but what a perfect way to sum up what that orphanage did.

Plucking young girls away from their mothers and then...

The babies were left there.

So what kind of environmental data are you collecting, and how are you collecting it?

So one of the projects that's actually an offshoot of the Sonic Kayaks project, 'cause I mentioned briefly we were collecting air pollution data for that, um, and that turned out to be quite interesting.

So we sort of had this other thread, this other project that we're, that we've just coming to the end of at the moment.

So we've been building, um, air pollution sensors, giving them to community groups and helping them process the data and collect it.

And it's kind of a area where there are hundreds of open source air pollution sensors, lots and lots of work that we could base this on and make our own, another, yet another sort of open hardware, um, air pollution sensor.

But our approach, and I suppose actually this kinda comes into being kind of aware of the politics of technology, is that through kind of a lot of our work, we do a lot of work with local government, and we have a sort of understanding of the limitations and the possibilities of working in that area.

And so what we want to do is an air pollution project where there was actually a chance that we could change laws based on the data collected.

So what does AI innovation owe to them?