You know You've let me go To swim ashore Away we go One day I know You'll understand

That was the track that I did with T-Digi, but I just felt like there was something more to it.

So I wrote this kind of...

I just felt like there was just a way to make the melody and lyrics be slightly more showcased, maybe, and that they just needed a bit more room to breathe.

And so I wrote this sort of slower version that is not really meant for a pitched vocal and where the production was even less present than it was in that trance version.

But then the production sort of like comes in at the end and provides a sort of a sense of like musical ascension where sort of from what sounds like a voice memo, it sort of turns into this string accompaniment, which then ascends into this digital choir, which takes you off into the sort of mountains of the imagination.

So yeah, along came this sort of different backing for it.

That squelchy thing, what is that?