Clark, can you speak to how every character craves connection, and also how that sort of manifests itself in the sexual tension?

Right.

There's a lot more to Carson than what we initially meet.

You're totally right that desire is a focal point for every character, and that is the conflict of the show, is where do your desires get you? What are the consequences of desire?

Yeah.

Yeah.

Where does it lead you? Desire, desire, desire.

[laughs]

I think I'll regret saying that later.

See, my comments are random and all over the place.

Bill's on point.

I'm the random guy, so let me hit a random note here.

When we shot the pilot, again, that's gonna be a recurring theme, we actually shot on a practical location in a, in a downtown office building.

Vince Perenio, our designer, built the set and moved it several times, I think, over the course of the five years to give that idea.

When we, when we shot the pilot with all those windows, knowing that down the road it was gonna bite us, but it's a really great set.

Back at the Viva House, the soup kitchen.