now you mentioned memphis and you had the rhythm section that backed you up and i don't know if a lot of people realize this that's how recordings in memphis went for years and probably still do in a lot of cases where you know they have a built-in rhythm section and you just show up the artist shows up and just performs their parts so is that the way it worked for you is that how you met up with that rhythm section

Yeah, it was a deal that I don't know how I got this idea.

But so Emma Wilson is a lady I've met, a UK blues singer.

And she works through the same my record label and the distributor they use.

They work with the same folks on the back end of some things.

And one day, the person I work with at my record label, Big Radio Records, says, hey, have you ever met Emma Wilson? You know, you ought to.

She's great blues.

before you get to that point here let me ask you you mentioned that they were had a different sound than what was coming out of memphis or what was coming out of mississippi so what made their sound different can you describe