It just really hasn't happened in

the last couple of years.

On to me now, right, Alon? I don't know why you always want to start with the negative guy, Alon, because then I'm always more confident.

So stepping back, right, and just echoing what Randy said, a lot of that is definitely true.

There's definitely challenges.

I do think from a domestic U.S., North America theatrical distribution perspective, though, I do think that the box office has been great this summer with a few pockets.

And I actually think if you look at a lot of what we'll see with our clients who have made movies on a budget, the theatrical domestic results of those movies have actually been pretty good.

From a legal transactional perspective, how have entertainment deals changed over the last, say, year or so? Are you seeing different deal structures, different financing arrangements, or perhaps negotiations that are different and changing in the last year or so?